Thursday, November 17, 2011

Reflection # 5

This week we reflect on the work in Indonesia of cultural anthropologist Glifford Geertz.

Reflection #5

Clifford Geertz, a scholar in the field of cultural anthropology, studied and wrote about the religion of Java in the 1950s.  One of his primary sites of field research was Modjokuto (or “Middletown,” the real name is Pare) a relatively small, multi-ethnic (24,000 Javanese and 2,000 Chinese), agricultural town at the edge of a great rice plain in east central Java.  Through the lenses of history and ethnography, Geertz observed a Javanese society intent on development and nation building, as it recovered from war, internal conflicts, Japanese occupation and Dutch colonialism.  Using the constructs of typologies to organize his data, Geertz identified three “main social-structural nuclei” in Java—village, market and government bureaucracy—which he broadly (and non-exclusively) associated with variants of Javanese Muslim religion and social class (5).

The religious beliefs of the Javanese village consist of a syncretic blend of animistic (belief that we share the world with spirits), Hindu-Buddhist and Islamic elements.  This so called abangan religious tradition is predominant among village peasants and proletariat.  Santri is a more orthodox variant of Islam especially widespread among merchants and wealthier peasants.   The association of the Javanese trading element with a purer Islam is unsurprising given the introduction of Islam to Java as part of a great trade expansion (5-6).  The prijaji tradition is identified with elite heritage.  It is strongly influenced by the Hindu-Buddhist traditions of earlier Javanese courts (high art and refined etiquette), and mysticism.  In the modern era, prijaji is associated with the elite, and with a white collar, well educated, administrative bureaucracy (6).  

Geertz explores the antagonisms between these various religious/class orientations, while noting the ways that nationalism and Javanese customs of harmony, cooperation and polite suppression of feeling mediate conflict (366).  He seeks to interpret cultural symbols in order to elicit deep meanings and reasons, to make sense of experiences and interdependencies, and to better understand the circumstances in which modernization and development occur.  He claims his study as merely descriptive (7).

 I greatly appreciate Geertz’s contributions to anthropology, though again, I am drawn to reflect on the silenced voices of women.  Geertz writes that in an exception to a general policy of non-interference between the abangan and the prijaji, prijaji  women are concerned with unhygienic birth practices, and with rituals and practices (washing the groom’s feet, polygamy, degrading art forms) which concretize the inferiority of abangan women.  Without offering any woman’s voice as supporting descriptive evidence, Geertz characterizes the prijaji women’s gestures as “half-hearted,” and then dismisses them as ultimately selfish.    

In another example of women’s silenced voices, Geertz cites as an example of an integrating nationalism, The Day of Women’s Awakening.  Before 22 December 1928, women’s groups were focused on women’s advancement.  On the day of awakening, women, “fully conscious of their responsibilities, merged their movement with the national struggle (369).”  On 22 December 1953, the women’s movement was still focused on the “glory” of Indonesia and “its people” (370).  Lelia Ahmed and Chung Hyan Kung write about the co-option of women’s independent interests in cultural and national movements in Egypt and Korea, respectively.  Both attribute this assimilation of women’s separate interests to patriarchal culture.  In what ways does the Day of Women’s Awakening memorialize national unity, and in what ways does the day memorialize the continued submission of women under patriarchy?            




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